LOT DETAILS
This session is closed for bidding.
Current bid: $3,750 CAD
Bidding History
Paddle # Date Amount

26790 29-Feb-2024 07:05:53 PM $3,750

10357 29-Feb-2024 07:04:39 PM $3,500

26790 29-Feb-2024 06:55:51 PM $3,250

942142 29-Feb-2024 06:47:51 PM $3,000

26911 29-Feb-2024 12:21:14 PM $2,750 AutoBid

21833 29-Feb-2024 12:21:14 PM $2,500

26911 28-Feb-2024 07:13:05 PM $2,250 AutoBid

23355 28-Feb-2024 11:25:35 AM $2,000 AutoBid

942142 28-Feb-2024 11:25:35 AM $1,900

23355 28-Feb-2024 11:25:14 AM $1,800 AutoBid

942142 28-Feb-2024 11:25:14 AM $1,700

23355 28-Feb-2024 11:24:50 AM $1,600 AutoBid

942142 28-Feb-2024 11:24:50 AM $1,500

23355 28-Feb-2024 11:20:44 AM $1,400 AutoBid

942142 28-Feb-2024 11:20:09 AM $1,300 AutoBid

23355 28-Feb-2024 11:20:08 AM $1,200 AutoBid

942142 28-Feb-2024 12:22:15 AM $1,100

23355 27-Feb-2024 11:26:25 PM $1,000

942142 09-Feb-2024 07:10:24 PM $900

816517 05-Feb-2024 01:10:10 AM $800

28015 02-Feb-2024 06:20:13 PM $700

The bidding history list updated on: Wednesday, May 15, 2024 07:29:32

LOT 622

OC
1926 -
Canadian

Low Foothills Evening
woodcut on paper
signed, titled and editioned 3/3 P.P.
13 7/8 x 24 in, 35.2 x 61 cm

Estimate: $1,500 - $2,000 CAD

Sold for: $4,688

Preview at:

PROVENANCE
Collection of Masato Arikushi, Vancouver

LITERATURE
Ian Thom, Takao Tanabe: New Prints, 1994, unpaginated
Ian Thom and Christine May, Takao Tanabe: Printmaker, Kelowna Art Gallery, 2023, reproduced page 56

EXHIBITED
Kelowna Art Gallery, Takao Tanabe: Printmaker, July 1 - October 1, 2023, same image, catalogue #57


Masato Arikushi is the master printer who worked in close collaboration with Takao Tanabe, Mary Pratt, E.J. Hughes and other distinguished artists to produce their important woodcut editions. Born in Hokkaido, Japan, Arikushi trained in the Japanese woodblock printing process under Toshi Yoshida in Tokyo. In 1980, he immigrated to Canada, where he resides today.

Takao Tanabe’s collaboration with Masato Arikushi began in 1981, working together to produce a remarkable series of woodcut images based on the artist’s paintings. Tanabe was much more directly involved than in the traditional printmaking process, and Arikushi took on the functions of blockcutter and printer, roles which would traditionally have been carried out by many technicians. The resulting images are works in their own right, capturing the spirit and essence of the paintings.

This edition P.P. 3/3 is aside from the edition of 40.

Please note: this work is unframed.


All prices are in Canadian Dollars


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