ONLINE AUCTION
Abstraction
5th session

November 02 - November 30, 2023

LOT DETAILS
         
         
         
         

This session is closed for bidding.
Current bid: $80,000 CAD
Bidding History
Paddle # Date Amount

8486 30-Nov-2023 11:00:13 AM $80,000 AutoBid

33626 30-Nov-2023 11:00:13 AM $75,000 AutoBid

8486 30-Nov-2023 11:00:13 AM $70,000 AutoBid

33626 26-Nov-2023 07:18:22 PM $65,000

34429 26-Nov-2023 07:14:26 PM $60,000 AutoBid

33626 26-Nov-2023 07:14:26 PM $55,000

34429 26-Nov-2023 07:12:47 PM $50,000 AutoBid

33626 26-Nov-2023 07:12:47 PM $47,500

34429 26-Nov-2023 07:11:47 PM $45,000 AutoBid

33626 26-Nov-2023 07:11:47 PM $42,500

34429 07-Nov-2023 05:39:56 PM $40,000 AutoBid

15655 07-Nov-2023 04:44:13 PM $37,500

34429 07-Nov-2023 04:44:01 PM $35,000 AutoBid

15655 07-Nov-2023 04:44:01 PM $32,500

34429 07-Nov-2023 01:44:34 PM $30,000 AutoBid

822761 07-Nov-2023 01:44:34 PM $27,500 AutoBid

34429 07-Nov-2023 01:44:33 PM $25,000 AutoBid

822761 07-Nov-2023 11:36:02 AM $22,500 AutoBid

The bidding history list updated on: Wednesday, May 15, 2024 12:30:24

LOT 605

1915 - 1994
American

Night Bird
acrylic on canvas
on verso signed, titled, dated 1983 and inscribed "(Magna)"
40 x 40 in, 101.6 x 101.6 cm

Estimate: $25,000 - $35,000 CAD

Sold for: $97,250

Preview at:

PROVENANCE
M. Knoedler & Company, New York, 1984
Douglas Udell Gallery, Edmonton
Acquired from the above by a Private Collection, Edmonton
By descent to the present Private Collection, Vancouver


Night Bird was painted during a pivotal moment in abstract painter Friedel Dzubas’s prolific career. Born in Berlin during the First World War, Dzubas immigrated to New York City in 1939 and soon found himself entrenched in the city’s modern art scene. In 1983, the same year this work was created, a major survey exhibit of the artist’s work was held at the Smithsonian’s Hirschhorn Museum in Washington, D.C. This retrospective, which traced his artistic progression from abstract expressionism in the 1940s to larger and more dynamic color field paintings in the 1960s and beyond, was the largest and most comprehensive institutional display of Dzubas’s works since his career began.

Reminiscent of other works he created in the early 1980s, Night Bird exemplifies Dzubas’s mature style and demonstrates his mastery of composition and layering. During this period, Dzubas abandoned his earlier method of making sketches in preparation for his paintings and began creating works spontaneously. Working with Magna, a richly-pigmented brand of acrylic resin paint, Dzubas filled this canvas with swaths of rich blues, greens, and purples that appear solid, almost Baroque in their monumentality.


All prices are in Canadian Dollars


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