DÉTAILS DU LOT
Cette séance est fermée aux enchères.
Enchère actuelle: 11 000 $ CAD
Historique des enchères
# de palette Date Prix

32119 26 janv. 2017 | 12 : 33 : 22 11 000 $

31354 26 janv. 2017 | 12 : 23 : 45 10 000 $

32119 26 janv. 2017 | 12 : 10 : 24 9 500 $

32203 26 janv. 2017 | 12 : 08 : 50 9 000 $

32119 26 janv. 2017 | 12 : 02 : 53 8 500 $

31354 26 janv. 2017 | 12 : 01 : 55 8 000 $

32119 26 janv. 2017 | 12 : 00 : 37 7 500 $

32203 26 janv. 2017 | 07 : 44 : 59 7 000 $

32119 26 janv. 2017 | 07 : 44 : 00 6 500 $ Enchère automatique

32203 26 janv. 2017 | 07 : 44 : 00 6 000 $

32119 21 janv. 2017 | 07 : 05 : 08 5 500 $ Enchère automatique

30998 15 janv. 2017 | 20 : 24 : 08 5 000 $

La liste de l'historique des enchères a été mise à jour le: lundi, 13 mai 2024 | 18h 35m 28s

LOT 101

1903 - 1970
Canadien

Covered Bridge in Winter
huile sur panneau, circa 1965 - 1966
signé et au verso inscrit
11 3/4 x 13 3/4 po, 29.8 x 34.9 cm

Estimation : 6 000 $ - 8 000 $ CAD

Vendu pour : $13,750

Exposition à : Heffel Toronto – 13 avenue Hazelton

PROVENANCE
By descent to the present Private Collection, Ontario


Born in South Ohio, Yarmouth County, Nova Scotia, Maud Lewis is renowned for her bright paintings of Maritime rural life. Having contracted polio, and suffering from juvenile rheumatoid arthritis, Lewis left school at the age of 14 and lived a confined but happy life at home. She began her artistic career by painting Christmas cards with her mother that they sold on the streets of Yarmouth. Following the death of her parents, Lewis moved to Marshalltown, Digby County, Nova Scotia to live with her aunt. It was there that she met her future husband, Everett Lewis, a fish peddler. They married in 1938 and moved into his small cabin.

Due to her small stature and her arthritis, Maud was unable to do housework. However, she helped with the household by creating cards and paintings for income. Everett often took Maude with him while selling fish and would promote her artwork to his customers. With his encouragement, Lewis began to produce more paintings. Her work grew in popularity, and buyers began to come directly to her home to acquire her paintings.

Despite her lack of formal training, Lewis’s depictions of rural life, animals and landscapes, drawn from her everyday experiences, had an irresistible charm and vitality. She often used oil paints straight from the tube and rarely mixed her pigments, and her colourful work expressed the essence of Maritime life. Her work gained popularity to the point that she was featured in numerous newspapers, such as the Moncton Times, the Atlantic Advocate and the Star Weekly, and she also starred in a CBC-TV Telescope program in 1965. In 1967, her work was shown at the Centennial Exhibition of Primitive Art in New Brunswick at Beaverbrook House, St. John. Prominent collectors of her work include R.L. Stanfield, the former premier of Nova Scotia and Richard Nixon, the former President of the United States. Her paintings still hang in the White House and the Legislative Building of Nova Scotia.

Lewis passed away at the Digby General Hospital at the age of 67 in 1970. She has become one of Canada’s most well-known and endearing folk artists. The Art Gallery of Nova Scotia has a large collection of her paintings, and installed her original house in the gallery as part of a permanent exhibition of her work. In 2016, a film was released on her life entitled Maudie.

This work was likely executed in the early 1960s.


Tous les prix affichés sont en dollars canadiens.


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